FEELWORLD LUT7 7 Inch 2200nits 3D LUT Touch Screen DSLR Camera Field Monitor with Waveform
VectorScope Histogram 4K HDMI Input Output 1920X1200 IPS Panel
|Screen Size||7″ IPS|
|Pixel Pitch||0.07875 (H) x 0.07875 (W) (mm)|
|Brightness||2200cd/m² (Light Sensor)|
|Viewing Angle||80°/80°(L/R) 80°/80°(U/D)|
|1 X HDMI||HDMI|
|1 X HDMI||HDMI|
|1 X DC||Barrel (3.5mm outer, 1.1mm inner) barrel output for powering cameras via camera specific adaptor.|
|Audio||3.5mm Stereo Headphone|
4K UHD 3840×2160p (30/29.97/25/24/23.98Hz), 4096×2160p (24Hz)
|Install Way||1/4″-20 Thread Socket (Left, Right, Bottom)|
|Battery Plate||Dual F970 Battery Plate|
|Unit Size||190Lx126Hx27D (mm)|
|* Support 3D LUT Log to Rec.709, user 3D LUT Upload|
|* Support Touch Menu|
|* Parade (RGB, YUV, Y)|
|* All Waves|
|* RGB Histogram|
|* Brightness Histogram|
|* Embedded Audio|
|* Peaking Focus (red, green, blue, white, yellow five peaking colors optional; 1~10 peaking level adjustable)|
|* False Colors|
|* Zebra Exposure (1%~100% adjustable)|
|* Check Field (Red, Green, Blue, Gray)|
|* Scan Mode (Under Scan, Over Scan)|
|* Anamorphic Mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag)|
|* Image Flip (H, V, H/V)|
|* Image Freeze|
|* Center Marker|
|* Safety Marker (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1)|
|* Ratio Marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1)|
|* Marker Color (red, green, blue, white, black, yellow)|
|* Color Temperature Adjustment|
|* Nine Grid|
|* Zoom (100%~300%)|
|* Aspect Ratio|
|* Pixel to Pixel|
* Support 3D LUT Log to Rec.709, user 3D LUT Upload
* Support Touch Menu
* High Resolution: Full HD 1920×1200, High Contrast: 1200:1
* 2200nit Daylight Viewable, Light Sensor for Auto Dimming
* 160° wide viewing angles IPS Panel
* Provides auxiliary power out; allowing shooters to power their cameras
* Parade (RGB, YUV, Y)
* RGB Histogram
* Peaking Focus Assist (red, green,blue, white, yellow five peaking colors optional; 1~10 peaking level adjustable)
* False Colors
* Zebra Exposure (1%~100% adjustable)
* Scan Mode (Under Scan, Over Scan)
* Zoom (100%~300%)
* Anamorphic Mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag)
* Pixel to Pixel
* Nine Gird
* Center Marker
* Safety Marker (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1)
* Ratio Marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1)
* Marker Color (red, green, blue, white, black, yellow)
* Check Field (red, green, blue, gray)
* Image Flip (H, V, H/V)
* Image Freeze
* Color Temperature Adjustment
User LUT Cube Import
Provides S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to monitor by SD card.
Waveform / Vector scope / Histogram
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
This mode shrinks your video image to approximately the size of a 7″ display and tiles your choice of waveform, vectorscope, histogram, and embedded audio on the border of your video.
Audio Meter Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. Under SDI audio, it supports 4-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported..
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the peaking color between yellow, red, green, blue, white according to different tone of the subject. The focus level can be adjusted from 1 to 10 levels.
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. There is a 1%-100% zebra value that can be adjusted.
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (100%～300%)
Image magnification is HD signal in any part, an amplification for high quality close-up. The touch panel can help you zoom in quickly, zoom out and move the image after zooming in.
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x or 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
Image flip is to flip the image horizontally, vertically, and horizontally/vertically. Simultaneously turning on the horizontally flip and the vertical flip can achieve horizontal/vertical simultaneous flipping.
Nine grid is the most common and basic composition method. The area of the picture is divided into nine equal grids.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safety Marker
Safety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1). You can switch the Mark color between Yellow, Red, Green, Blue, White and Black according to different tone of the subject.
There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.